这是今年五个《绿野仙踪》翻拍项目中第一个拿到「绿卡」的。这个项目被称作「黑色版」《绿野仙踪》，更像是一部带有童话色彩的《权力的游戏》（Game of Thrones）。它的主要取材对象不仅仅是《绿野仙...

安杰伊瓦杰达导演的法语片，于佩尔在当中饰演一配角（沙托夫之妻），改编自陀思妥耶夫斯基同名小说。虽然由于片长的限制删改不少，但仍不失为一部极佳的改编电影。

改编自真实事件。1983年，当时的格鲁吉亚还是苏联加盟共和国。两个出身精英家庭的年轻人尼卡和安娜正在紧张地准备他们的婚礼。然而，对于他们两人和前来的朋友来说，这样一个盛大的婚礼事实上是只是他们计划的一部分——他们正在策划着从苏联逃跑。就在婚礼结束后的第二天，这群年轻人开始了他们最疯狂的计划：劫持一架当地从第比利斯飞往巴统的航班，迫使它降落在土耳其境内，这样就能来到不属于东区的国家。但随着飞机缓缓离开地平线，一切似乎都渐渐失去了掌控

当一个雄心勃勃的纪录片导演把镜头对准一个为了赚钱而羞辱自己的美丽女人时，他发现了自己最黑暗的部分。

自2002年X档案的六年后，前联邦探员丹娜·斯科莉（吉莲·安德森GillianAnderson饰）调任某教会医院担任医师，福克斯·穆德（大卫·杜楚尼DavidDuchovny饰）则过着隐居的生活，继续着对超自然现象的关注。某天，FBI探员前来请求他们的帮助。原来一段时间内，维吉尼亚州接连有数名女子神秘失踪，其中甚至包括一名联邦探员。由于神父约瑟夫（BillyConnolly饰）声称看到了犯罪画面，因此FBI希望对超自然案件有着丰富经验的穆德和斯科莉协助调查。然而随着调查的深入，穆德和斯科莉却发现案件的黑暗远远超出他们的想象。这对合作多年的搭档面临着巨大的考验……本片为同名美剧的第二部剧场版。

有一天，太阳的恩惠，也就是光变得微弱下来了，这可是大事件，这样下去，不可思议星将没有光，成为黑暗的世界！根据传说，为了让太阳的恩惠回到世界，需要只有太阳之国的公主才可以使用的魔法“prominence”。但是，能够拯救星球那样强力的prominence只有一名合格的公主才能够发动。

《黄玫瑰》讲述了一个来自德州小镇的17岁菲律宾裔美国女孩-罗萨里奥·罗丝·加西亚，她一直梦想成为乡村音乐歌手。可是家里遭逢突变，她的母亲被美国移民和海关执法局逮捕，罗斯被迫与她的朋友埃利奥特逃离现场，罗斯带上了她的吉他和仅有的一些财产前往奥斯汀投靠姑妈盖尔，但罗斯在姑妈家里感到不受欢迎，尤其是她姑妈的丈夫马克的态度令罗斯感到格格不入。当她在这个残酷的现实中安顿下来后，罗丝让埃利奥特帮忙寻找被关押在拘留中心的母亲的同时，她和当地一个叫乔琳的酒馆老板交上了朋友，她给她提供了一份有食宿的工作。罗斯和乔琳还有她的朋友何塞在酒吧里为自己建了一个小家。在那里，·罗丝遇到了著名的乡村音乐明星-戴尔·沃森，戴尔发掘到了罗斯的音乐天赋。当埃利奥特找到罗斯的母亲后，他们发现她将在几周内被驱逐回菲律宾。在埃利奥特的帮助下，母女俩终于取得了联络，罗丝告诉了妈妈她在乔琳家的新家。但她对女儿的处境却感到不安，并希望女儿能和她一起回到马尼拉。尽管罗斯很想和母亲在一起，但她最终决定留在美国，继续追逐自己的音乐梦想。

A story of faith and disbelief. Of uprootedness and affiliation. What makes a boy from art school decide to leave home and live as a girl on the streets of Berlin selling her body for money? For more than ten years, photographer and filmmaker J. Jackie Baier followed transsexual Julia K. from her birthplace, Klaipeda in Lithuania, to her tough life on the streets as a hooker, outlaw and nonconformist who never signed any social contract. 　　"Julia is missing again. Yesterday I visited her in the porn cinema, in where she has crashed for the last six months. We sat in the common room of the hookers, which doubled as Julia´s bedroom; a smoky, dingy basement without any daylight, roughly the size of a prison cell, with a couch, a counter, a coffee machine and a TV, out of which some cheap television series blared at full volume. This room was what her life was limited to. She only left it when Mamsell called her for a client. I´d seen her for the very first time while she still worked at a bar in Wilmersdorf. For some time we both worked there, tempting clients with booze, offers of sex, whatever would bring in money. I soon left the business, though. The madam was simply not convinced that I was a good hooker and actually she was right - even though I learned a lot by watching Julia. Julia was soon to be out as well. She didn´t really get along in that joint. The madam had some kind of style, while Julia just had her style. It just couldn´t work. Afterwards they said that Julia was always drunk, but that can´t have been the reason, since if she had always been drunk, it probably would have worked out with the boss, who was chronically drunk herself, after all. About a year later I met Julia again. I was riding on a bus to Schöneberg, and she was at the corner of Froben-and Bülow - hustling at the strip. We drank a couple of beers at Bianca´s kiosk and she asked at some point if I wouldn´t mind taking some pictures of her again. I didn´t have my proper camera on me, just my mobile. I took some shots and once I left, promised to return. When I went back two nights later, this time with my camera, Julia had vanished. At the kiosk they said that she was dead, probably frozen to death somewhere. But then she reappeared." [J. Jackie Baier, 2006] 　　J. Jackie Baier (b. 1955 in Kiel, Germany) received an MA in Literature at the University of Essen in 1982. She worked as assistant director on films by, among others, Peter von Zahn, Michael Lentz, and Adolf Winkelmann, and made several documentaries. In 1983 she made her feature directorial debut with Die Mission - Film vom Frieden und seinem Krieg (which premiered at the Berlinale (Forum). From 1985 to 1988 she wrote and directed two television movies for ZDF, Die Splitter der Eisbombe and Frühstück für Feinde. She has directed TV series since 1995. She had a sex change in 1997; Johanna Jackie Baier was officially a woman. She started to experiment extensively with photography and has exhibited her work at national and international art fairs. In 2006, she presented a selection of photographs and a short film as part of the group show SEX WORK (Neue Gesellschaft für bildende Kunst, Berlin). In 2011 Baier´s feature-length documentary House of Shame premiered at the 61st Berlin International Film Festival. 　　2013 Julia (doc) 　　2011 House of Shame: Chantal All Night Long (doc) 　　1988 Frühstück Für Feinde 　　1984/85 Die Splitter Der Eisbombe 　　1983 Die Mission - Film vom Frieden und seinem Krieg